一方面批判虚无化的新宿嬉皮年轻人；另一方面来自田野间的父亲对革命的理解也只能回溯到“坂本龙马”和“明治维新”，展示的其实是“田舍的身体”与新宿城市街景间的冲突和对撞.
也怪不得作为编剧的足立几年后会选择一条更为激进的道路.
地下广场的那场互动路人的即兴拍摄，以及水泥管上的群像记忆深刻. 凶杀戏彩色后面变黑白我猜是钱不够. 从这片的淡蓝色调与剧情推进来看，我以为最后张国荣不是死在枪口之下要么就是和女主角劳燕分飞，毕竟这片带着太浓厚的李仁港痕迹，一股淡淡的哀愁，就像一首催泪的蓝调布鲁斯. 一个俗套的日式纯爱故事，加入了港式黑帮做调味，多了一分阳刚与硬气，却又不失原本那种纯纯的感动. 哥哥与常盘贵子简直绝配The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
